Gastprogramma [uitverkocht]
Gastprogramma van Theatergroep Zout
Gastprogramma: Late Night Talks w/ Fatima Warsame
Elisabeth Lockhorn over Andreas Burnier
an evening with Cammisa Buerhaus, Geo Wyeth,
and Ivan Cheng
Perdu's tweede open mic!
A Sunday afternoon in Black Achievement Month
Perdu tijdens Read My World
De Biografie in psychoanalyse
Een gesprek over gemeenschap, kritiek en herkenning
EINDFEEST: 35 JAAR PERDU!
Charles Bernstein and Susan Bee return to Perdu!
An evening with Eileen Myles
Repercussions of a Malfunctioning System
On Lineage and Lingua
Op zoek naar de kritische mogelijkheden van intuïtief werk
An evening with Lisa Robertson and Mia You
Life before, during and after the apocalypse
A programme guest-curated by artist Christian Nyampeta
A programme guest-curated by Urok Shirhan
Perdu, deBuren en de Nwe Tijd slaan wederom de handen ineen voor een nieuwe editie!
Perdu's allereerste open mic!
A co-production of Gertrude Stein European Network, Perdu and Institute for Cultural Inquiry (ICON)'s Modern and Contemporary Literature Research Group (Utrecht University)
Looking for liminality in abjection
Perdu i.s.m. The Black Archives: Woordkunst over verborgen verhalen
Hoe verhouden we ons tot dieren? Of beter gezegd: tot andere dieren?
Poëzie als interventie
Collecting the leftovers of history
Drie Russische dichters te gast + presentatie Tijd van de aarde van Galina Rymboe
We lezen de nieuwe bundel van Anneke Brassinga: Verborgen tuinen
Met Doina Ioanid, Claudiu Komartin en hun vertaler Jan H. Mysjkin
De derde avond in onze sciencefictionreeks!
DIT EVENEMENT IS UITVERKOCHT!
Looking for liminality in abjection
Doors open: 19:30
Start: 20:00
Entrance: 9 / 6 Euro (discount)
Longing at times might feel like a crawl in the dirt. Desire and repulsion often go hand in hand, as for example described by Julia Kristeva in her 1980 book Powers of Horror: An Essay on Abjection. According to Kristeva, it is in the instance of abjection that distinctions between subject and object or between self and other become blurry, that meaning threatens to break down and that a liminal space emerges. During this evening we will investigate these and other interpretations of abjection while digging through layers of female desire, intuitively exploring liminality in abject states of longing, rejection, abandonment and laying on the floor of your apartment via poetry, essay, performance and film.
Sophie Collins will share an essay on the abject state of shame that touches upon the French notion of ‘nostalgie de la boue’, which translates to ‘nostalgia for mud’. Marie Lopez will read from her debut Segura, a collection of poetry and prose about depression, bodily disgust, attraction to older men and looking out of windows. The evening will be opened with a collaborative performative text and closed with a screening of Montagne Rouge, a short film on rat droppings and waiting by Sophie de Serière and Dagmar Bosma.
Programme in English
Sophie Collins grew up in Bergen, North Holland, and now lives in Edinburgh. small white monkeys, a text on self-expression, self-help and shame, was published by Book Works in 2017 as part of a commissioned residency at Glasgow Women’s Library. Her first collection of poems Who Is Mary Sue? was published by Faber & Faber in 2018. The Following Scan Will Last Five Minutes, her translation of Lieke Marsman’s De volgende scan duurt vijf minuten will be published by Pavilion Poetry in April 2019. She is a lecturer at the University of Glasgow.
Marie López (b.1992) is an artist and a writer interested in pedestrian aesthetics, humor as acts of resistance, cosmic planes, God, mundanity and film. Her new book of prose and poetry, Segura, was just released February 2019. She dropped out of grad school in Vienna and is currently based in Berlin, Germany.
Sophie de Serière and Dagmar Bosma are friends that collaborate within the fields of writing, performance, film and doing papier-maché while singing along to Joni Mitchell’s Blue.